This method, hitherto unknown to the fraternity, represents the very finest handling, enabling the operator to lift two cards as one in such a wholly natural manner that even the most skeptical of spectators finds nothing suspicious in the procedure. A preliminary get-ready movement is still necessary but the gesture covering it is so casual and natural that the keenest eye cannot detect it and the practice necessary to master the sleight is negligible in comparison with its value. The following method, however, is the nearest approach to such perfection which can be had by purely mechanical means. The ideal double lift is the simple pushing off of two cards, as one, with the left thumb in exactly the same manner as in dealing, and such a method is given elsewhere. Many methods have been devised but all of them entail a certain preliminary movement for the purpose of getting ready, or set, for the sleight, and this movement must be covered by misdirection. THE DOUBLE LIFT-that is to say, the lifting of two cards as one-is one of the most useful of modern card sleights. The many new processes revealed herein for the first time have been thoroughly tested by practical magicians and will be found indispensable by all who aspire to the title of finished performers. To demonstrate one’s ability in making the pass or changing a card, for instance, is simply to destroy the mystery of such tricks in which these sleights are used later on. An unsurpassed collection of methods and manipulations, this classic work will help any aspiring magician to achieve expert card technique.ĪT THIS LATE DATE it should not be necessary to emphasize the fact that sleights should never be used except as secret. In every case the aim is simplicity of technique for the purpose of mystifying an audience, not technique for the sake of technique. Many of the methods explained were revealed here for the first time, while many previously known tricks are presented in improved versions. In addition, the authors include a complete compendium of shakedown sleights - to warn the card player and aid the entertainer - and a performer's guide to misdirection and patter. Also presented is a wide variety of tricks, including discoveries, self-working tricks, one-handed tricks, stranger cards, and such individually famous tricks as the four aces, the rising cards, and the Zingone spread. They detail various false deals, crimps, and changes and the more advanced execution needed for forces, fans, and the use of the prearranged deck. Offering the most foolproof methods available, Jean Hugard and Fredrick Braue explain such basic manipulations as the palm, the shuffle, the lift, the side slip, the pass, the glimpse, the jog, and the reverse. In this definitive work on card technique, step-by-step instructions teach you the correct methods for the basic manipulations and the more advanced flourishes, and only then allow you to learn tricks. This means the proper instruction book, and practice. The way out of this dilemma, however, is not immediate, but it is reliable: a surer mastery of technique. You may try to cover up by doing a more difficult trick and fail again. If you have ever tried to do a card trick and failed, you know what it is to be embarrassed.
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